{"id":5358,"date":"2024-01-16T15:41:15","date_gmt":"2024-01-16T15:41:15","guid":{"rendered":"https:\/\/studio642.com\/?page_id=5358"},"modified":"2026-09-22T14:49:13","modified_gmt":"2026-09-22T14:49:13","slug":"the-artists-book-publication-as-artform","status":"publish","type":"page","link":"https:\/\/studio642.com\/index.php\/the-artists-book-publication-as-artform\/","title":{"rendered":"The Photobook"},"content":{"rendered":"

\"\"<\/p>\n

Creating Your Photo Book: From Concept To Print<\/b>
Your Images in the Real World<\/p>\n

October 3 \u2013 November 14, 2026<\/p>\n

You’ve made so much work. Folders and folders of images on your hard drive. A Photobook is how you find the coherent body within that pile, shape it into something real, and hold it in your hands. It’s proof your effort matters. And it opens doors \u2014 to exhibitions, to other photographers, to opportunities you can’t yet see.<\/p>\n

Whether you’re working on a personal archive, a fine art body of work, a family history, or a documentary project, the process is the same: finding the narrative within your images and giving it a form the world can hold.<\/p>\n

This course guides you through the full arc of making your Photobook \u2014 from early concept and editing through sequencing, design, and preparation for printing.<\/p>\n

Through guided lectures, live discussions, critiques, and project-based work, you’ll develop a clear book concept and move it forward with intention and coherence.<\/p>\n

And in our final session, guest artist Andreas Schmidt<\/a><\/span> \u2014 gallery director and Photobook publisher \u2014 will review your work and speak with you about where it goes next.<\/p>\n

Course Features<\/strong><\/p>\n

The course provides an immersive, project-driven exploration of photographic bookmaking through guided lectures, live discussions, critiques, and practical exercises addressing:<\/p>\n

– Concept Development and Intent
\n– Design Strategies for Photographic Books
\n– Editing and Sequencing for Narrative Flow
\n– Material Considerations and Format Choices
\n– Introduction to Publishing Options and Pathways
\n– Preparing for Presentation and Printing<\/p>\n

Class Structure<\/strong><\/p>\n

Live Zoom Interaction \/ Full Unlimited Online Content Access<\/strong><\/p>\n

Video lectures and content modules are released each week. All Zoom sessions, online content, class materials, and lectures remain available to students for the duration of the course and for 2 months following the final session.<\/p>\n

– Live Zoom Meets & Critiques with Dr. Craig Havens
\n– 24\/7 Access to Course Videos and Materials
\n– Online Knowledge Base and Technical Resources
\n– Extended Access to Online Course Materials<\/p>\n

Instructor feedback and critiques are offered via Zoom throughout the course. Sessions are recorded and available for private password-protected viewing at your convenience.<\/p>\n

Tuition & Enrollment<\/strong><\/p>\n

750 USD<\/p>\n


\n
\n
\n<\/form>\n

Upon payment, your enrollment will be confirmed via email.<\/p>\n

For questions or assistance, please contact us.
\nmasterclass@studio642.com<\/a><\/span><\/p>\n

<\/h4>\n

 <\/p>\n

Masterclass Schedule<\/strong><\/p>\n

7-Seminar Extended Program<\/strong>
\n+ 2 Months Extended Open Study Access
\n(All Class Recordings & Content remain available)<\/p>\n

Seminar 1<\/strong>
Welcome Session & Program Overview<\/strong>
Saturday, October 3, 2026<\/strong>
Course Introduction & Concept Development
9am PST \u2013 Live Zoom Meeting w\/ Dr. Craig Havens
Module 1 Content:<\/strong> Concept, Artistic Intent & Case Studies
Video Lecture & Discussion\/Feedback Forum<\/p>\n

Seminar 2<\/strong>
Independent Work Period<\/strong>
Exploring the ideas of Module 1: The Concept<\/strong>
Research, drafting, and early editing
Open Discussion & Feedback Forum<\/p>\n

Seminar 3<\/strong>
Live Session II<\/strong>
Saturday, October 17, 2026<\/strong>
Module 1 Work Review & Module 2 Launch
9am PST \u2013 Live Zoom Meeting w\/ Dr. Craig Havens
Module 2 Content: Editing Strategies & Image Selection
Discussion\/Feedback Forum<\/p>\n

Seminar 4<\/strong>
Independent Work Period
\nExploring the ideas of Module II: The Edit<\/strong>
Applying editing strategies and refining sequences
Open Discussion & Feedback Forum<\/p>\n

Seminar 5<\/strong>
Live Session III<\/strong>
Saturday, October 31, 2026<\/strong>
Module 2 Work Review & Module 3 Launch
9am PST \u2013 Live Zoom Meeting w\/ Dr. Craig Havens
Module 3 Content: Book Structure & Design Thinking
Discussion\/Feedback Forum<\/p>\n

Seminar 6<\/strong>
Independent Work Period
\nExploring the ideas of Module III: The Publication
\n<\/strong>Developing design concepts, sequencing, and narrative flow
Open Discussion & Feedback Forum<\/p>\n

Seminar 7<\/strong>
Final Live Session & Project Review<\/strong>
Saturday, November 14, 2026<\/strong>
Review of Module 3 Work & Final Project Directions
9am PST \u2013 Live Zoom Meeting w\/ Dr. Craig Havens<\/p>\n

Extended Seminar<\/strong>
For 2 months following the final session
Online access to all lectures, recordings, and course materials remains live<\/p>\n

<\/h4>\n

Instructor<\/strong><\/p>\n

Dr. Craig Havens<\/strong> (PhD) is a visual artist and educator working in the lens-based media of photography, video, and printmaking with over 25 years of experience as a professional photographer, fine artist, and lecturer. His approach is direct, personal, and project-driven \u2014 supporting each student in developing a coherent, publishable body of work they can stand behind.<\/p>\n

Terms & Conditions<\/a><\/span><\/p>\n

Top Image: Photo Book Library. Andreas Schmidt.<\/em><\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

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